Alas and alack, the new Bond theme has premiered- Writing’s On the Wall by Sam Smith. All I can say is I have no desire to listen to it again. Why? I hear you ask.
It is DULL. Seriously dull. How on earth was such a boring song chosen to be a Bond theme? Now, I have no problem with Smith himself- I know for some people, his voice is like Marmite (you love him or hate him), but this song is a dirge. Where is the fire, the passion, the sass? Damn it, where is the sexiness and sensuality that were in abundance in the majestic previous Bond theme, Skyfall? In fact, after I managed to listen to Writing’s On the Wall in its entirety, I put Skyfall on and was amazed at how brilliant it still is and how marvellous Adele sounded and how much it craps all over the new song (in case you wondered, it’s all over it like a bunch of pigeons on Trafalgar Square).
I am so disappointed because when the one minute snippet of Skyfall was released the day before its world premiere, I was curious to hear it but wasn’t expecting it to be a classic.How wrong was I? I found myself listening to it on a loop for a day and a half until the full song came out. I thought it was- and still is -utterly magnificent and one of the best Bond themes ever.
I’m not a Bond film aficionado but I know my Bond theme songs and there are few which I would consider to be classics. Goldfinger (of course), Goldeneye, A View To A Kill, Licence To Kill. I adored Tomorrow Never Dies by Sheryl Crow. I liked Chris Cornell’s You Know My Name because it sounded different and in-your-face compared to the usual Bond themes, yet it worked. I also have a soft spot for Madonna’s Die Another Day, an underrated song lambasted by people who were snobbish about how a Bond theme should sound, although let’s not discuss Another Way To Die because that song was a mistake.
This is how dire the situation is: I have found myself wondering how the song will fit in with the opening title sequence and I never do that.
Writing’s On the Wall is similar to Smith’s old song Stay With Me- it starts off promisingly then peters out into nothingness, plodding along when instead, it should reach a triumphant and satisfying ending.
According to Smith’s tweet, the song is already number one on the iTunes charts. I’m not sure why because it really does not deserve it. Skyfall only reached number two (you FOOLS!), so for this blandness to get all the credit that its predecessor should have got would be wrong in my eyes. It looks like social media sees the song the way that I do: a Bond theme that is as flat as a pancake and not up to scratch.